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Terror(ism) and Aesthetics (2015)

György Fogarasi




Samuel Weber

Clouds: On a Possible Relation of Terror and Terrorism to Aesthetics
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Zoltán Cora

From the Rhetoric of Longinus to the Poetics of John Dennis: The Role of Terror in the Theories of the Sublime in the 18th Century
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György Fogarasi

Perpetual Peace, Permanent Terror: Kant with Schlegel

Andrea Timár

Derrida and the Immune System
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Gábor Tamás Molnár

“Gone Pure Ballistic”: Trajectories in Tristram Shandy and Gravity’s Rainbow
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Ervin Török

Borders of Violence: Heinrich von Kleist, Michael Kohlhaas

Juliane Prade-Weiss

Translating Terror: On Exile and Mimesis in Ovid, Nabokov, and Benjamin
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John Cox

“Waxworks, Penny Dreadfuls, and Puppet Shows”: Danilo Kiš, Totalitarian Regimes, and Terror through Taboo
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Markus Reitzenstein

The Good Terrorist: Doris Lessing’s Narrative Strategies in Presenting Terrorist Psychology
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Sven Cvek

A Man Melting into War: Militarization and Liberal Imagination in Falling Man
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István Berszán

Artifactuality and Practical Orientation in Terror(ism): Action, Conceptualization and Artistic Approach
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Art, Theatre, and Film

Anna Kérchy

Creative Iconoclasm and Cultural Trauma
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Sonja Novak

Dramatic Representations of Contemporary Terror: Genres of (Post)modern Tragic Theatre?
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Izabella Füzi

Connecting and Disconnecting: Sound and Cinema in Balázs’s Film Aesthetics
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András Müllner

“Bug Collection”: Articulations of Terror in the Hungarian Neo-avant-garde
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Et al. — Critical Theory Online 3: Terror(ism) and Aesthetics (2015), eds. György Fogarasi, Zoltán Cora, and Ervin Török

ISBN: 978-963-306-407-8