György Fogarasi
Preface
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Theory
Samuel Weber
Clouds: On a Possible Relation of Terror and Terrorism to Aesthetics
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Zoltán Cora
From the Rhetoric of Longinus to the Poetics of John Dennis: The Role of Terror in the Theories of the Sublime in the 18th Century
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György Fogarasi
Perpetual Peace, Permanent Terror: Kant with Schlegel
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Andrea Timár
Derrida and the Immune System
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Literature
Gábor Tamás Molnár
“Gone Pure Ballistic”: Trajectories in Tristram Shandy and Gravity’s Rainbow
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Ervin Török
Borders of Violence: Heinrich von Kleist, Michael Kohlhaas
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Juliane Prade-Weiss
Translating Terror: On Exile and Mimesis in Ovid, Nabokov, and Benjamin
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John Cox
“Waxworks, Penny Dreadfuls, and Puppet Shows”: Danilo Kiš, Totalitarian Regimes, and Terror through Taboo
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Markus Reitzenstein
The Good Terrorist: Doris Lessing’s Narrative Strategies in Presenting Terrorist Psychology
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Sven Cvek
A Man Melting into War: Militarization and Liberal Imagination in Falling Man
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István Berszán
Artifactuality and Practical Orientation in Terror(ism): Action, Conceptualization and Artistic Approach
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Art, Theatre, and Film
Anna Kérchy
Creative Iconoclasm and Cultural Trauma
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Sonja Novak
Dramatic Representations of Contemporary Terror: Genres of (Post)modern Tragic Theatre?
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Izabella Füzi
Connecting and Disconnecting: Sound and Cinema in Balázs’s Film Aesthetics
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András Müllner
“Bug Collection”: Articulations of Terror in the Hungarian Neo-avant-garde
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Et al. — Critical Theory Online 3: Terror(ism) and Aesthetics (2015), eds. György Fogarasi, Zoltán Cora, and Ervin Török
ISBN: 978-963-306-407-8